08/17/2021
By Anna Isaak-Ross
Maskirovka is the Russian word for deception that has became known as a military strategy intended to confuse the enemy. In the project Maskirovka, a film and a series of photographs are juxtaposed and explored for their ability to question how we understand fact and fiction. The film makes use of well-known actors and the language of cinema to enact a truthful account. The pictures present unrelated, unstaged, and untitled occurrences. Maskirovka aims to posit the extent to which the reality of fiction, in images and words, may function as a surrogate for truth in times of assaulted facts.
Pedro Letria is a Portuguese artist whose work reflects upon issues of displacement and belonging. His use of photography and text are a reflection on how image and language function alone, and, once combined, establish an alternate discourse. Pedro Letria is the author of seven books, including Mármore, from 2007, and The Club, from 2014. His work has been widely exhibited and is part of public and private collections. He holds a B.F.A. from the School of the Art Institute of Chicago and an MFA in Photography from the Rhode Island School of Design (RISD), where he was a Fulbright scholar. He has taught at Escola Superior de Arte e Design, in Caldas da Rainha, Portugal, since 2000. In 2017 he was awarded the António Quadros Prize. Letria will be the Fall 2021 Gulbenkian/Saab Visiting Professor in Portuguese Studies at UMass Lowell.
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