Beatriz (Rojas) Sierra
by Brandis Kelly

Photograph by Diana Archibald
A tear escapes from the corner of a deep brown eye, trickling down
her face. She wipes it away and fixes her gaze out the plane's small
window, staring at the vast black sky. Below her, the Atlantic Ocean
stretches between the beloved home she is leaving behind and her dreaded
destination. She fidgets with her hands, shifts in her seat. Beside
her, her mother appears calm, prepared––everything that
Beatriz wishes she could be. Another tear escapes despite her
best efforts to fight it. She peers out into the night again, and her
mind begins to drift.
She is back in Medellin, Colombia, a day earlier, August 18, 1979.
Her family's spacious home is filled with people––all of
her closest friends and relatives. Bright light floods through the rooms.
Music and laughter float through the air, drifting out onto the open
patio, where guests are chatting and taking in the August sun. Inside,
more guests bustle about, helping Beatriz and her family complete last
minute preparations.
Eighteen-year-old Beatriz is smiling; she is at home. If only she
could stay.
“Por favor, cuiden a mi gallina,” she reminds a neighbor.
Make sure you take good care of my hen. “Ella necesitará
mucho cuidado.” She'll need plenty of attention.
“Tan pronto como usted se vaya, voy a hacer la gallina en un
guisado!” the neighbor jokes. As soon as you leave, I'm going
to put the hen in a stew! As Beatriz's eyes widen, the neighbor
reassures her, “Por supuesto, cuidaré la gallina.”
Of course, I'll care for the hen. No one can take care of her
as well as Beatriz can, but that is out of the question. Tomorrow, she
and her family will leave for America. And there is nothing she can
do about it––she's already tried.
Mama, please just let me finish high school… then I will
go to America with you. Two months, mama, I only have two months! Beatriz
had pleaded to no avail.
We have already applied for the visa, Beatriz. We have to go now,
or we lose our chance. Think of the opportunities there. Think of your
father. Beatriz, however, didn't want to think of her father, couldn't
think of her father. All she could think about was leaving behind everything
she held dear––and it terrified her. Everything familiar
and good would be replaced with, as Beatriz saw it, new and bad. She
wanted no part of it.
“Por favor,” she had begged every day. Please don't
make me go. She sobbed, she bargained, but in the end, she had
no choice. Now, her friends and neighbors are here for a going away
party, though a celebration doesn't seem appropriate. Beatriz and her
family scurry around, getting everything in order, right down to who
will keep the pets that they leave behind.
As it turned out, the hen suddenly died that same day––as
if the animal had sensed that things would never be the same, as if
her death were some kind of omen that all of Beatriz's fears were about
to come true.
Snapping back to reality, Beatriz feels the tears start anew, and
her hurt turns into anger. How can her parents do this to her? How can
they believe this will be for the best?
Her family arrives in New York, their first destination, around one
a.m. Beatriz slowly forces one foot in front of the other, departing
the plane with her brother, mother, and father. The airport is busy;
she feels suffocated by the people surrounding her. Too many people,
too many people. Her Uncle Pastor and his family are waiting in
the airport, and they rush over to greet her and her family. Beatriz,
however, is in a less than jovial mood. The car ride from New York to
Massachusetts the next afternoon does not help to improve it.
She sits, slumped against the window, watching the buildings pass
by. It is about twelve o'clock on a Sunday afternoon, and the beautiful
August weather provides a sharp contrast to Beatriz's spirits. Detached,
she solemnly watches the buildings pass by. Suddenly, a subtle movement
catches her eye in an alleyway. Her eyes widen in shock and fear as
she realizes what she is seeing––a man stands poised, knife
in hand, ready to take on some mysterious foe.
Beatriz shrinks away from the window. This is the wonderful
America for which my parents have chosen to abandon our home? This
is the place where nothing bad is supposed to happen? She sighs.
Surely, it wasn't necessary for her father to leave his job as a mechanic
in Colombia for this. A shiver runs through her body and she
closes her eyes, wishing for sleep…and home.
Beatriz! Wake up! Her eyes snap open and she searches the
dark room for the voice calling her. As her vision clears, she sees
her mother standing over her. It's almost time for work. You need
to get ready. Beatriz groggily sits up in bed, wiping the sleep
from her eyes and glancing at the clock. 5:15 am. Forty-five minutes
until both she and her mother begin their shifts at the Lincoln Company,
a textile mill in Lowell, their new home.
She drags her feet to the floor, trudging through the three-bedroom
apartment that is shared by eleven people: her uncle's family of seven
and her own family of four. It is quite a switch from the sprawling
house she lived in only a few weeks ago, with just her immediate family.
Her father and brother have already left for work; she will not see
them until the end of the day. She gravely gets ready for the day ahead––a
day like every other since she's arrived in America, a day she dreads.
At Lincoln, she will work with a fabric machine for eight hours in
the sweltering heat. The mill is dirty and poorly ventilated. There
are no fans––they would ruin the material. Beatriz comes
home covered in dirt and sweat, her body aching from the physically
demanding work.
Her fellow workers are not like the Americans she has encountered before.
Those who visit Colombia are what she considers the “hippie”
type; they are kind and accepting, open-minded. Here, the people are
rude and judgmental. She dislikes working with them, being forced to
get along with them. At the end of her shift, she cannot wait to get
back to the apartment on Moody Street, where her mother will prepare
to go to her second job, and Beatriz will go to her room and cry.
To her friends back home, Beatriz does not cry. Talking on the phone,
she puts up her best front, though she is ashamed of the way she is
living. I love it here! I'm making my own money. I've already bought
a stereo and a television. In Colombia, women don't work. Her friends
are in awe. You're so lucky, Beatriz! We're jealous. You must be
so happy. Their words secretly break Beatriz's heart––she
wants to tell them that she'd give up all of her money to be back home.
But she doesn't tell them. She forces a smile into her voice. Yes,
I'm happy.

Twenty-four years later, Beatriz is, indeed, happy. After finding
a beautiful home and starting a family in Lowell, she has come to consider
it a very special city––not at all what she expected from
her first impressions. The bitterness she felt as a teenager all those
years ago has transformed into gratitude toward her Uncle Pastor and
her parents, whom she now believes did her a favor by bringing her to
the U.S. Now, her heart is divided between Colombia, her original home,
and the home she has found here. Now, when she speaks to her friends
of her happy life in America, she is telling the truth.